

BLAISE ALLYSEN KEARSLEY
I know the name looks complicated. My first name is pronounced BLAZE, my middle name is ALISON just with some different letters and my last name sounds like KE-ERZ-LEE.
That's it for this first section of my website. It's been pretty demanding already.
[ bio
Blaise Allysen Kearsley is a Black-biracial writer, teacher, and creative coach. Her writing has appeared in Catapult, Longreads, Memoir Land, The Boston Globe Book Review, Midnight Breakfast, The Nervous Breakdown, Oldster, and four anthologies including Nonwhite and Woman: 131 Micro Essays on Being in the World, and Mortified: Real Words. Real People. Real Pathetic.. She wrote for several online outlets dating back to the early aughts that are perhaps not worth mentioning by name and don't even exist anymore, and she was an artist-in-residence at the Vermont Studio Center (also a very long time ago). Currently she is a contributing editor for Vestal Review, the longest running flash fiction journal on the planet, and a guest editor for Memoir Land's First-Person Singular.
Blaise was the founder, producer, and host of How I Learned, a monthly live storytelling, comedy, reading series that had a 10-year run in New York and a short sold-out stint in New Orleans. She's been a panelist at The Gotham Storytelling Festival and has told stories live at The Moth, Risk, The Liar Show, The Story Collider, The Rejection Show, Literary Death Match, Cringe, Mortified, and the Oblivio Reading Series. In yet another life she took photographs with real cameras, some of which were featured in Gothamist, Playbill, New York Magazine, Gawker, The Morning News, and elsewhere.
She grew up in the Northeast and lives in Brooklyn but if you need her for something somewhere else, maybe she'll go there.
[ select writing
🜃 The Story of My Father's Hands | Memoir Land, 2023; originally published in Catapult
🜃 Words to Call a Sweater | PEREGRINE, Yellow Arrow Journal, Vol. VII, No. 2, 2022
🜃 A Jet All The Way | Oldster Magazine, 2022
🜃 The First Time It Happened | Nonwhite and Woman, Woodhall Press, 2022
🜃 Finding Oneself in 'Surviving the White Gaze' | The Boston Globe, 2021
🜃 Why Mr. Bauer Didn't Like Me | Longreads, 2019
[ classes + coaching
My workshops and community offerings prioritize marginalized voices and provide safe and supportive spaces for BIPOC, LGBTQIA+, neurodivergent, and disabled writers. In a more humane world this might not need emphasis, but here we are.
1Wrestling with Revisions: How to Get a Handle On the Editing Process
1-Day Intensive
Tuesday, July 1st, 2025; 6:30 - 8:30 pm ET. Open to all creative nonfiction writers.
Does the whole revision process make you want to throw your computer out the window? Are you in the throes of it or just beginning? Wondering how many drafts you have to go through until it’s finished? Don’t know where to start? Or where to go next?Frustrated? Stuck? Overwhelmed?
I feel your pain.
Before you lose all your marbles, let me offer some ways to rethink and reframe the editing process.
In this session we'll cover working on multiple drafts one step at a time and making it more manageable.
You'll walk away with new approaches — from standard practices and how-to's to restorative, burnout-proof tips, and developing creative systems for reaching the finish line. Let's get going.
This is an independent workshop. Payment plans available.
$75
2Get Out Of Your Own Way: Exploring a More Mindful Writing Practice
1-Day Intensive
Wednesday, July 9th, 2025; 6:30 - 8:30 pm ET. Open to all.
It’s hard not to judge the value and effectiveness of our work, not to sink in self-doubt, not to censor ourselves to the point of paralysis.
But our most artful writing and fertile ideas come from non-judgmental observation, somatic attention, and the memories stored in the right hemisphere of the brain. Our narratives are revealed through the left brain/right brain perspective — not just when we’re thinking about what to write and how to write it, but when we’re grounded in present awareness.
Using writing prompts, meditation, visualization, grounding rituals, and short readings, we'll cultivate and enhance a writing practice that helps us put our lived experiences on the page without getting stuck on what feels scary or shameful or beyond our abilities.
Sponsored by Writing Workshops
$75
3Creative
Coaching
Remote or in Brooklyn, NY
Get personalized creative direction and craft guidance for books, essays, or pieces to pitch for publication. Identify your intention, develop a writing practice or enhance your existing practice.
Sessions can include extensive critical feedback, editing, resources, and writing blocks for accountability, focus, and creative cultivation.
In the universally perpetual quest for accountability and momentum, signing up for 3 sessions is recommended, but tailoring the mentorship for every individual writer's needs is first and foremost.
Sliding scale and
lower cost options are available for marginalized voices.
Payment plans are also an option.
Contact me for a free 15-minute consultation.
Other workshops, webinars, and intensives include Sudden Truths: The Art of Flash Memoir + Micro-Essay; Structure, Feeling + Form; Cultivating a Writing Practice; The Art + Craft of Personal Essay; Voice + Embodiment: Creative Nonfiction for BIPOC Writers; Real People, Real Characters: How to Develop Full, Authentic Characters in the First-Person Narrative, and Ties That Bind: Writing the Family.
To get notified about upcoming workshops + workshop-adjacent info, sign up here.
[ things people say
"Blaise's class made me a stronger writer.
It was the hardest workshop I've ever done, but also one of the most important."
— Jennifer Stewart (Dame Magazine; MFA in Creative Writing)
"Everything this group taught me about specificity, vulnerability and vivid storytelling made a huge difference. I'm so thankful for our eight weeks together." — Genevieve Kingston (NY Times' Modern Love; Author, Did I Ever Tell You?)
"I had to show up for myself and others who counted on me, even when I felt like all I wanted to do was hide under my couch. Being part of this creative group of writers saved me."
— Anna Grundström (Narratively; Adoptee Voices)
"I've taken several workshops over the years, all over the country, and this was by far the best. Blaise is a goddamn treasure."— Returning advanced CNF workshop participant and mentee
"I love that the readings center BIPOC, women, and LGBTQ voices. That has been an important and edifying element."
— Kimberly Balsam
"Blaise believed in me and my writing and showed me how I, too, can believe in myself and my writing. The level of care she provides for her students is unparalleled."
— Tiffany Yo (Sierra Nevada Review; The Rumpus)
"If you're looking for a more tailored workshop experience, this is the place."
— Flash CNF workshop participant
"Blaise's feedback is fabulous , thoughtful, insightful, generous, and inspiring."
— Katherine Arnup
"Blaise was really able to build a community on Zoom. This is an incredibly difficult thing to do, and she made it seem so easy."
— Memoir + Personal Essay workshop participant
"This is a fantastic format. It's like a tiny focus group for pinpointing the areas of my writing that need further development."
— Memoir + Personal Essay workshop participant
"Blaise is such a skilled reader and editor, and her notes are always valuable. She offers wonderful perspectives and assembles groups of writers with keen perspectives of their own. Highly recommend."
— Returning workshop participant
"What Blaise does is so specific and special.
You can't find it in other workshops."
— Returning workshop participant and mentee
"This class has been water in the desert for me."
— Mary Robertson
"Right after the first class I started paying closer attention to how writers [create] characters and how their desires moved stories forward in shows I was watching and novels I was reading. It made me more mindful of the intentionality behind works I like, which will crystalize even more when I write. The writing samples were all new to me and amazing. I’ve reordered my reading list accordingly."
— CNF intensive participant
"The critique aspect of this course was initially scary. I felt so vulnerable submitting my writing (I quickly realised everyone else did too), but the feedback was invaluable on so many levels. My reading has improved too."
— Write Your Memoir course participant
"I didn’t think I would like the in-class writing exercises but I did. I really liked the time constraints and how they forced me to write from the gut."
— CNF intensive participant
"I feel so inspired, enriched, encouraged, and empowered in my writing practice. I've been sitting at my desk since we all logged off just feeling how full of gratitude my heart is—for you, the workshop, and the entire group."
— Adaeze Elechi (Callaloo; Memoir Land)
"I can’t thank you enough. I’d been struggling with overwhelming doubt and your words made such a difference." — Julie S."I felt so often in school that I was writing against these very confident men who were forthcoming about the problems within my work and style. Working in your group has been restorative and has allowed me to trust myself without fear."
— Returning advanced CNF workshop participant
" 1.) Your exuberance and contagious laughter made everyone feel more open. 2.) My God, revising is your superpower. The before and after is astonishing and I might frame a page or two. I will take anything of yours I can get a spot for."
— Robert Bond, Jr.
"I’ve done a couple of other writing courses and nothing comes close to what you’ve created here. You've exposed me to writers I may never have come across. The process has been incredibly empowering."
— Introduction to Memoir workshop participant
"I learned a ton and admired very much the talent, creativity and discipline represented in our class. Blaise, I love your energy, spirit, writing, and way of teaching in community."
— Write Your Memoir course participant
"I genuinely looked forward to each week. The advice you gave sent me back out into the world with confidence and purpose."
— Creative Writing 101 participant
"You treat every question with such a genuine desire to give the best possible answer. For someone like me, that means the world."
— Creative Nonfiction 101 participant
"It's always a privilege to work with you. Your work as a writer, teacher, and mentor has had a huge impact on me."
— Jackie Shihadeh
"I want to thank you for not only helping me improve my writing but for the confidence
and practical knowledge I got from your classes to polish and submit my work. Your feedback and mentorship have meant so much to me."
— Flash CNF workshop participant
"Thank you for creating this generous space
for us to try new things and be vulnerable, for the insightful feedback, and for leading us through the last 8 weeks. I'm really grateful."
— Alex Fendrich
"Taking your class on literary nonfiction and receiving your feedback provided value beyond what I could have imagined. See? You can teach an old writer new tricks."
— Dan Fogel (HuffPost)
"What a pleasure it has been to work with you. You're truly the best, and thank you so much for finding time to work with me."
— Jennifer Taylor-Skinner
[ free silent write-in
The free Silent Write-In offers 2 to 4 hour blocks of creative focus and accountability. Drop in when you like, stay as long as you want, work on whatever's calling to you. No prompts. Everyone on mute. Chat open. Dates and times vary. They are sporadic, actually. You might say these are "pop up" write-ins. Or: sometimes "clusters." Subscribe to notifications below.
[ how i learned
How I Learned is a live reading, storytelling, comedy series created and produced by Blaise Allysen Kearsley. The monthly show was born on the Lower East Side in 2009. We've been "on hiatus" since 2020. Occasional one-off shows are theoretically in perpetual development for sometime in the near future or some other future. Update: it's also a new magazine!
Guests have included: Ayo Edebiri, Alexander Chee, Aparna Nancherla, Anna Sale, Nick Flynn, Joel Kim Booster, Jeffrey Joseph, Janelle James, Nore Davis, Dodai Stewart, Mike Albo, Abbi Jacobsen, Jo Firestone, David Carr, John Fugelsang, Mira Jacob, Jami Attenberg, Elna Baker, Rosie Schaap, Jacqueline Novak, Choire Sicha, Elissa Schappell, Dave Hill, Josh Gondelman, Mike Doughty, Maggie Estep, Jiji Lee, Alex English, Alex Edelman, Rakesh Satyal, Taylor Negron, Marie Faustin, Sasheer Zamata, Jude Doyle, Rob Sheffield, Sam Lipsyte, Ted Travelstead, Sadie Stein, Amy Shearn, Dan Kennedy, Ophira Eisenberg, Isaac Fitzgerald, Lizz Winstead, Phoebe Robinson, Kevin Allison, and lots more.
Best Comedy Shows Hosted By Women
-CBS New York
Best Storytelling Series + Best Reading Series
-Time Out New York
Best in Independent Comedy
-Village Voice
"...Always hilarious, sometimes touching, and without fail entertaining." -Brooklyn Magazine
"This show has renewed my faith in this whole storytelling endeavor and what it means in the world." -David Crabb, Host of The Moth
"Blaise is a charming host with an irrepressible, humming little laugh that seems to be a compromise she’s made with some wicked guffaw within." -LitWrap
[ get in touch
Bio photo: Adam Paul Verity
How I Learned photos: Jesse Chan-Norris + Jon Boulier
© 2025 Bazima Productions