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  • …  
    • home
    • bio
    • writing
    • teaching/coaching
    • things people say
    • free write-ins
    • how i learned
    • contact
  • home
  • bio
  • writing
  • teaching/coaching
  • things people say
  • free write-ins
  • how i learned
  • contact
  • …  
    • home
    • bio
    • writing
    • teaching/coaching
    • things people say
    • free write-ins
    • how i learned
    • contact
  • Photo by Adam Verity

    BLAISE  ALLYSEN KEARSLEY

    I know the name looks complicated. My first name is pronounced BLAZE, my middle name is ALISON but with some different letters and my last name sounds like KE-ERZ-LEE.

    That's it for this first section of my website. It's been pretty demanding already.

  • [ bio

    Blaise Allysen Kearsley is a Black-biracial writer, teacher, coach, and artist. She is the creator of the How I Learned series live show and magazine, a contributing editor for Vestal Review, and a guest editor for Memoir Land.

    Her writing has appeared in Catapult, Longreads, Memoir Land, The Boston Globe, Midnight Breakfast, Oldster, VICE, Elle, The Nervous Breakdown, and four anthologies including Nonwhite and Woman: 131 Micro Essays on Being in the World, and Mortified: Real Words. Real People. Real Pathetic.. She wrote for several online outlets dating back to the early aughts that are perhaps not worth mentioning by name, and they definitely do not even exist anymore. Blaise was awarded a monthlong residency at the Vermont Studio Center and has since been rejected by all the other ones. She has appeared as a panelist at The Gotham Storytelling Festival, and performed at The Moth, Risk!, The Liar Show, Story Collider, The Rejection Show, Literary Death Match, Cringe, and the Oblivio Reading Series.

    In her delusions of grandeur, Blaise is best known for her role as Snowboy in "West Side Story" in 11th grade. She grew up in the Northeast and lives in Brooklyn, but if you need her for something somewhere else maybe she'll go there.

  • [ select writing

    🜃 Why Mr. Bauer Didn't Like Me | Memoir Land, 2025; an earlier version appeared in Longreads

    🜃 The Story of My Father's Hands | Memoir Land, 2023; originally published in Catapult

    🜃 Words to Call a Sweater | PEREGRINE, Yellow Arrow Journal, Vol. VII, No. 2, 2022

    🜃 The First Time It Happened | Nonwhite and Woman, Woodhall Press, 2022

    🜃 Finding Oneself in 'Surviving the White Gaze' | The Boston Globe, 2021

    🜃 Why Mr. Bauer Didn't Like Me (original version) | Longreads, 2019

    🜃 We Forgot About The Flowers | Midnight Breakfast, 2015

    🜃 The Mail Club | Midnight Breakfast, 2014

    🜃 Power Trio: 3 Songs About Being Young and Disenfranchised Before The Internet | The Weeklings, 2014

  • [ classes + coaching

  • I'm committed to prioritizing marginalized voices and providing safe and supportive spaces for BIPOC, LGBTQIA+, neurodivergent, and disabled writers. In a more humane world this might not need emphasis, but here we are.

    1

    Intro to Memoir

    10-Week Asynchronous Workshop + Live Meetups

    Sold Out

    Starts Wednesday, August 13th; live meetups on weeks 1, 4, and 9; 6:30 - 7:30 pm ET.

    This class is designed for both budding and experienced writers, providing a rich, text-based, asynchronous learning environment complemented by three vital Zoom check-ins and writing sessions that foster a collaborative and engaging online community.

    Writers will embark on a structured journey into memoir writing, with each week dedicated to exploring different facets of the craft. From mastering the art of character development to navigating the complexities of time and place, the curriculum is meticulously crafted to cover a wide range of topics essential for memoir writing.

    The accountability model and supportive structure of the course includes opportunities for peer and instructor feedback. Get access to weekly lessons, recommended readings, and writing prompts carefully selected to inspire new work or deepen existing projects.

    Sponsored by Writing Workshops.

    Split payment option is available.

    $625| Join

    2

    BIPOC Writers' Voice + Embodiment

    8-Week Generative Workshop

    1 Spot Left

    Wednesdays, August 20th - October 8th; 6:30 - 8:00 pm ET.

    This workshop focuses on writing blocks, prompts, and permission to experiment as we dig into a range of ideas and tools of the craft, and cultivate a writing practice both on and off the page.

    Each session functions as a space for building community with other BIPOC writers and creatives, a weekly invitation to show up for ourselves and each other, to stand in our stories, and contextualize our lived experiences.

    We will set weekly intentions and identify the rituals and conditions that allow us to embody our true selves through the art of creative nonfiction.

    Weekly topics include Voice + Vantage Points, Writing From the Body, Form + Function, Ancestral Writing + more.


    Sponsored by Writing

    Workshops.

    Sliding scale available.

    $495 | Join

    3

    Sudden Truths: Writing Flash Memoir + Super Short Personal Essays

    6-Week Workshop

    Wednesdays, October 15th - November 19th; 6:30 - 8:00 pm ET.

    The focus for this workshop is to learn how we could tell a story with a beginning, middle, and end — in just 500-1000 words.

    So we'll explore the art and craft of flash memoir and personal essay and the ways in which the super-short form can enhance our writing practice, improve our skills, and contextualize our truths.

    We'll experiment with various word counts, generate ideas through in-class writing, and discuss structure, pacing, narrative thread, and the revision process within the context of micro stories.

    Writers will have opportunities to share their work for thoughtful, constructive peer and instructor feedback.

    Sponsored by Writing

    Workshops.

    Payment plan available.
    $395 | Join

    4

    CREATIVE COACHING

    Remote or in Brooklyn, NY

    Get personalized creative direction and craft guidance for books, essays, or pieces to pitch for publication. Identify your intention, develop a writing practice or enhance your existing practice.

    Sessions can include extensive critical feedback, editing, resources, and writing blocks for accountability, focus, and creative cultivation.

    In the universally perpetual quest for accountability and momentum, signing up for 3 sessions is recommended, but tailoring the mentorship for every individual writer's needs is first and foremost.

    Sliding scale and

    lower cost options are available for marginalized voices.

    Payment plans are also available.

    Contact me for a free 15-minute consultation.

  • Other workshops, webinars, and intensives include Sudden Truths: The Art of Flash Memoir + Micro-Essay; Structure, Feeling + Form; Get Out Of Your Own Way; 30 Flash Prompts for 30 Days; Cultivating a Writing Practice; The Art + Craft of Personal Essay; Voice + Embodiment: Creative Nonfiction for BIPOC Writers; Wrestling with Revision; Real People, Real Characters: How to Develop Full, Authentic Characters in the First-Person Narrative, and Ties That Bind: Writing the Family.

    To get notified about upcoming workshops + workshop-adjacent info, sign up here.

  •  

    [ things people say

    ​"Blaise's class made me a stronger writer.

    It was the hardest workshop I've ever done, but also one of the most important."

    — Jennifer Stewart (Dame Magazine; MFA in Creative Writing)

    "Everything this group taught me about specificity, vulnerability and vivid storytelling made a huge difference. I'm so thankful for our eight weeks together." — Genevieve Kingston (NY Times' Modern Love; Author, Did I Ever Tell You?)

    "I had to show up for myself and others who counted on me, even when I felt like all I wanted to do was hide under my couch. Being part of this creative group of writers saved me."

    — Anna Grundström (Narratively; Adoptee Voices)


    "I've taken several workshops over the years, all over the country, and this was by far the best. Blaise is a goddamn treasure."

    — Returning advanced CNF workshop participant and mentee

    "I love that the readings center BIPOC, women, and LGBTQ voices. That has been an important and edifying element."

    — Kimberly Balsam

    "Blaise believed in me and my writing and showed me how I, too, can believe in myself and my writing. The level of care she provides for her students is unparalleled."

    — Tiffany Yo (Sierra Nevada Review; The Rumpus)

    "If you're looking for a more tailored workshop experience, this is the place."

    — Flash CNF workshop participant

    "Blaise's feedback is fabulous , thoughtful, insightful, generous, and inspiring."

    — Katherine Arnup

    "Blaise was really able to build a community on Zoom. This is an incredibly difficult thing to do, and she made it seem so easy."

    — Memoir + Personal Essay workshop participant

    "This is a fantastic format. It's like a tiny focus group for pinpointing the areas of my writing that need further development."

    — Memoir + Personal Essay workshop participant

    "Blaise is such a skilled reader and editor, and her notes are always valuable. She offers wonderful perspectives and assembles groups of writers with keen perspectives of their own. Highly recommend."

    — Returning workshop participant

    "What Blaise does is so specific and special.

    You can't find it in other workshops."

    — Returning workshop participant and mentee

    "This class has been water in the desert for me."

    — Mary Robertson

    "Right after the first class I started paying closer attention to how writers [create] characters and how their desires moved stories forward in shows I was watching and novels I was reading. It made me more mindful of the intentionality behind works I like, which will crystalize even more when I write. The writing samples were all new to me and amazing. I’ve reordered my reading list accordingly."

    — CNF intensive participant

    "The critique aspect of this course was initially scary. I felt so vulnerable submitting my writing (I quickly realised everyone else did too), but the feedback was invaluable on so many levels. My reading has improved too."

    — Write Your Memoir course participant

    "I didn’t think I would like the in-class writing exercises but I did. I really liked the time constraints and how they forced me to write from the gut."

    — CNF intensive participant

    "I feel so inspired, enriched, encouraged, and empowered in my writing practice. I've been sitting at my desk since we all logged off just feeling how full of gratitude my heart is—for you, the workshop, and the entire group."

    — Adaeze Elechi (Callaloo; Memoir Land)


    "I can’t thank you enough. I’d been struggling with overwhelming doubt and your words made such a difference." — Julie S.

    "I felt so often in school that I was writing against these very confident men who were forthcoming about the problems within my work and style. Working in your group has been restorative and has allowed me to trust myself without fear."

    — Returning advanced CNF workshop participant

    " 1.) Your exuberance and contagious laughter made everyone feel more open. 2.) My God, revising is your superpower. The before and after is astonishing and I might frame a page or two. I will take anything of yours I can get a spot for."

    — Robert Bond, Jr.

    "I’ve done a couple of other writing courses and nothing comes close to what you’ve created here. You've exposed me to writers I may never have come across. The process has been incredibly empowering."

    — Introduction to Memoir workshop participant

    "I learned a ton and admired very much the talent, creativity and discipline represented in our class. Blaise, I love your energy, spirit, writing, and way of teaching in community."

    — Write Your Memoir course participant

    "I genuinely looked forward to each week. The advice you gave sent me back out into the world with confidence and purpose."

    — Creative Writing 101 participant

    "You treat every question with such a genuine desire to give the best possible answer. For someone like me, that means the world."

    — Creative Nonfiction 101 participant

    "It's always a privilege to work with you. Your work as a writer, teacher, and mentor has had a huge impact on me."

    — Jackie Shihadeh

    "I want to thank you for not only helping me improve my writing but for the confidence

    and practical knowledge I got from your classes to polish and submit my work. Your feedback and mentorship have meant so much to me."

    — Flash CNF workshop participant

    "Thank you for creating this generous space

    for us to try new things and be vulnerable, for the insightful feedback, and for leading us through the last 8 weeks. I'm really grateful."

    — Alex Fendrich

    "Taking your class on literary nonfiction and receiving your feedback provided value beyond what I could have imagined. See? You can teach an old writer new tricks."

    — Dan Fogel (HuffPost)

    "What a pleasure it has been to work with you. You're truly the best, and thank you so much for finding time to work with me."

    — Jennifer Taylor-Skinner

     

  • [ free silent write-in (remote)

    Come through for 2 - 4 hour blocks of creative focus and accountability. Drop in whenever you like, stay as long as you want, work on whatever's calling to you. No prompts. Everyone on mute. Chat open. Dates and times vary. They are sporadic, actually. You might say these are pop-ups. Sometimes they're clusters. I like to keep people guessing? Anyway. Subscribe for notifications.

  • [ how i learned

    Section image

    The How I Learned magazine, a new iteration of the series, was launched in August, 2025. It's probably just what you need. Come in, come in.

    Photo by Jon Boulier

    How I Learned was a live reading, storytelling, comedy series created and produced by Blaise Allysen Kearsley. The monthly show was born on the Lower East Side in 2009. We've been "on hiatus" since 2020. Occasional one-off shows are theoretically in perpetual development for sometime in the near future or some other future.

    Guests have included: Ayo Edebiri, Alexander Chee, Aparna Nancherla, Anna Sale, Dodai Stewart, Mike Albo, Jo Firestone, David Carr, Mira Jacob, Jami Attenberg, Starlee Kine, Rosie Schaap, Elissa Schappell, Maggie Estep, Rob Sheffield, Amy Shearn, Dan Kennedy, Ophira Eisenberg, Isaac Fitzgerald, Lizz Winstead, and lots more.

    Best Comedy Shows Hosted By Women

    -CBS New York

    Best Storytelling Series + Best Reading Series

    -Time Out New York

    Best in Independent Comedy

    -Village Voice

    "...Always hilarious, sometimes touching, and without fail entertaining." -Brooklyn Magazine

    "This show has renewed my faith in this whole storytelling endeavor and what it means in the world." -David Crabb, Host of The Moth

    "Blaise is a charming host with an irrepressible, humming little laugh that seems to be a compromise she’s made with some wicked guffaw within." -LitWrap


  • [ get in touch

  •  

     

     

    This is pretty much the end of my website. You did a great job.

    Section image
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  • Bio photo: Adam Paul Verity

    How I Learned photos: Jesse Chan-Norris + Jon Boulier

    © 2025 Bazima Productions

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