

BLAISE ALLYSEN KEARSLEY
I know the name looks complicated. My first name is pronounced BLAZE, my middle name is ALISON but with some different letters and my last name sounds like KE-ERZ-LEE.
That's it for this first section of my website. It's been pretty demanding already.
[ about
Blaise Allysen Kearsley is a Black-biracial writer, teacher, coach, and artist. She is the creator of the How I Learned series live show and magazine, a contributing editor for Vestal Review, and a guest editor for Memoir Land.
Her writing has appeared in Catapult, Longreads, Memoir Land, The Boston Globe, Midnight Breakfast, Oldster, VICE, Elle, The Nervous Breakdown, and four anthologies She wrote for several online outlets dating back to the early aughts that are perhaps not worth mentioning by name, and they definitely do not even exist anymore. Blaise was awarded a monthlong residency at the Vermont Studio Center and has since been rejected by all the other ones. She has appeared as a panelist at The Gotham Storytelling Festival, and performed at The Moth, Risk!, The Liar Show, Story Collider, The Rejection Show, Literary Death Match, Cringe, and the Oblivio Reading Series.
But you probably know Blaise best from her role as Snowboy in "West Side Story" in 11th grade. She grew up in the Northeast and lives in Brooklyn, but if you need her for something somewhere else maybe she'll go there.

In July 2025, we launched How I Learned magazine (by we, I mean me; me launched it). This indie publication is a digital iteration of the live storytelling, reading, comedy series that ran monthly in NYC from 2009 to 2019. The long-running show was the best thing for everyone, but I'm pretty sure the magazine is the best thing for everyone, also. Read the goods for free or support this project by becoming a paid subscriber if you can. It's whatever you want; just come in.
[ select writing
Essays:
๐ Sincerely and a Little Surly | How I Learned Magazine, 2025
๐ Why Mr. Bauer Didn't Like Me | Memoir Land, 2025 (an earlier version appeared in Longreads)
๐ The Story of My Father's Hands | Memoir Land, 2023; originally published in Catapult
๐ Finding Oneself in 'Surviving the White Gaze' | The Boston Globe, 2021
๐ We Forgot About The Flowers | Midnight Breakfast, 2015
๐ The Mail Club | Midnight Breakfast, 2014
Anthologies:
๐ Words to Call a Sweater | PEREGRINE, Yellow Arrow Journal, Vol. VII, No. 2, 2022
๐ The First Time It Happened | Nonwhite and Woman: 131 Microessays On Being in The World, Woodhall Press, 2022
๐ Cringe: Teenage Diaries, Journals, Notes, Letters, Poems, and Abandoned Rock Operas | Crown Archetype, 2008
๐ Mortified: Real Words. Real People. Real Pathetic. I Gallery Books, 2006
[ workshops + coaching
I'm committed to prioritizing marginalized voices and providing trusted, supportive spaces for BIPOC, LGBTQIA+, neurodivergent, and disabled writers. In a more humane world this might not need emphasis, but here we are.
- 1
Introduction to Memoir:
12-Week Asynchronous
Workshop + Live Work Rooms
Beginning January 20th, 2026.
New lessons posted on Tuesdays. Work Rooms on Tuesdays during weeks 1, 4, 7, 10, and 12 from 6:30 to 7:30 pm ET.
Writers will embark on a structured journey into memoir writing, with each week dedicated to exploring different facets of the craft. From mastering the art of character portrayal to navigating the complexities of time and place, the curriculum is meticulously crafted to cover a wide range of topics essential for memoir writing.
Participants will gain access to weekly lessons, recommended readings, and writing prompts carefully selected to inspire new work or deepen existing projects.
Sponsored by Writing
Workshops.
$795 | Join
228 x 20: Daily Prompts for Writing Super-Short Personal Essays in 20 Minutes
February 1st - February 28th, 2026. A HOW I LEARNED series production.
Dive into the daily rhythm of crafting short pieces. 28 days. 28 prompts. 28 micro-stories. 20 minutes each. No time to overthink it. No toe-dipping. Grab momentum, sharpen your skills, blow out your range, and end the month with a richer, more confident practice.
At the end of February, youโll have 28 miniature stories. Revise them. Polish them. Submit them. Expand them into longer works. Or sit back, admire your creative self, and say, I DID THE DAMN THING. February is the shortest month. You can do this.
Subscribe to join us for one month, pause or cancel anytime. Grab the WINTER OF OUR DISCONTENT DISCOUNT for 25% off a one-year subscription.
If you already a paid subscription, youโre good to go โ and thank you.
3Anthropological Writing:
6-Week Lab
4One-On-One
Remote or in Brooklyn, NY
In need of personalized creative direction? Want feedback on a new project or a work-in-progress? Struggling to find your intention, break through blocks, develop or enhance your existing writing practice?Listen. I would love to help.
Weโll have an initial convo to design a process to fit your specific needs, but coaching generally includes, and is not limited to, a 3-session package that contains close reading, extensive comments and skillful editing, and 1-hour meetings to discuss the work and figure out whatโs next. After three sessions, an additional package or check-ins can always be added.
Don't wait until you're "ready." Readiness finds you when you begin.
Holler for a free 15-minute consultation.
Previous + forthcoming offerings: Structure, Feeling + Form; Get Out Of Your Own Way; Sudden Truths: Writing Super-Short Memoir + Personal Essay; 30 X 30: Flash Nonfiction Prompts for 30 Days; BIPOC Generative CNF Writing Lab; Cultivating a Writing Practice; The Art + Craft of Personal Essay; Voice + Embodiment: Creative Nonfiction for BIPOC Writers; Wrestling with Revision; Real People, Real Characters: How to Develop Full, Authentic Characters in First-Person Narratives; Ties That Bind: Writing The Family; Clock of The Heart: Manipulating Time in Memoir; Creative Nonfiction 101; and more.
[ things people say
โ"Blaise's class made me a stronger writer.
It was the hardest workshop I've ever done, but also one of the most important."
โ Jennifer Stewart (Dame Magazine)
"Everything this group taught me about specificity, vulnerability and vivid storytelling made a huge difference. I'm so thankful for our eight weeks together."
โ Genevieve Kingston (NY Times' Modern Love; Author, Did I Ever Tell You?)
"I had to show up for myself and others who counted on me, even when I felt like all I wanted to do was hide under my couch. Being part of this creative group of writers saved me."
โ Anna Grundstrรถm (Narratively)
"I've taken several workshops over the years, all over the country, and this was by far the best. Blaise is a goddamn treasure."โ Returning writer
"I love that the readings center BIPOC, women, and LGBTQ voices. That has been an important and edifying element."
โ Kimberly Balsam
"Blaise believed in me and my writing and showed me how I, too, can believe in myself and my writing. The level of care she provides for her students is unparalleled."
โ Tiffany Yo (The Rumpus)
"If you're looking for a more tailored workshop experience, this is the place."
โ Returning writer
"Blaise's feedback is fabulous , thoughtful, insightful, generous, and inspiring."
โ Katherine Arnup
"Blaise was really able to build a community on Zoom. This is an incredibly difficult thing to do, and she made it seem so easy."
โ Memoir + Personal Essay workshop participant
"This is a fantastic format. It's like a tiny focus group for pinpointing the areas of my writing that need further development."
โ Memoir + Personal Essay workshop participant
"Blaise is such a skilled reader and editor, and her notes are always valuable. She offers wonderful perspectives and assembles groups of writers with keen perspectives of their own. Highly recommend."
โ Returning writer
"What Blaise does is so specific and special.
You can't find it in other workshops."
โ Returning writer and mentee
"This class has been water in the desert for me."
โ Mary Robertson
"Right after the first class I started paying closer attention to how writers [create] characters and how their desires moved stories forward in shows I was watching and novels I was reading. It made me more mindful of the intentionality behind works I like, which will crystalize even more when I write."
โ CNF intensive participant
"The critique aspect of this course was initially scary. I felt so vulnerable submitting my writing (I quickly realised everyone else did too), but the feedback was invaluable on so many levels. My reading has improved too."
โ 12-Week Intro participant
"The writing samples were all new to me and amazing. Iโve reordered my reading list accordingly."โ CNF intensive participant
"I feel so inspired, enriched, encouraged, and empowered in my writing practice. I've been sitting at my desk since we all logged off just feeling how full of gratitude my heart isโfor you, the workshop, and the entire group."
โ Adaeze Elechi (Callaloo; Memoir Land)
"I canโt thank you enough. Iโd been struggling with overwhelming doubt and your words made such a difference."
โ Julie S.
"I didnโt think I would like the in-class writing exercises but I did. I really liked the time constraints and how they forced me to write from the gut."โ CNF writer
"I felt so often in school that I was writing against these very confident men who were forthcoming about the problems within my work and style. Working in your group has been restorative and has allowed me to trust myself without fear."
โ Returning writer
" 1.) Your exuberance and contagious laughter made everyone feel more open. 2.) My God, revising is your superpower. The before and after is astonishing and I might frame a page or two. I will take anything of yours I can get a spot for."
โ Robert Bond, Jr.
"Iโve done a couple of other writing courses and nothing comes close to what youโve created here. You've exposed me to writers I may never have come across. The process has been incredibly empowering."
โ Introduction to Memoir workshop participant
"I learned a ton and admired very much the talent, creativity and discipline represented in our class. Blaise, I love your energy, spirit, writing, and way of teaching in community."
โ Write Your Memoir course participant
"I genuinely looked forward to each week. The advice you gave sent me back out into the world with confidence and purpose."
โ Creative Writing 101 participant
"You treat every question with such a genuine desire to give the best possible answer. For someone like me, that means the world."
โ Creative Nonfiction 101 participant
"It's always a privilege to work with you. Your work as a writer, teacher, and mentor has had a huge impact on me."
โ Jackie Shihadeh
"I want to thank you for not only helping me improve my writing but for the confidence
and practical knowledge I got from your classes to polish and submit my work. Your feedback and mentorship have meant so much to me."
โ Flash CNF workshop participant
"Thank you for creating this generous space
for us to try new things and be vulnerable, for the insightful feedback, and for leading us through the last 8 weeks. I'm really grateful."
โ Alex Fendrich
"Taking your class on literary nonfiction and receiving your feedback provided value beyond what I could have imagined. See? You can teach an old writer new tricks."
โ Dan Fogel
"What a pleasure it has been to work with you. You're truly the best, and thank you so much for finding time to work with me."
โ Jennifer Taylor-Skinner
[ free silent write-in
Come through for big blocks of creative focus and accountability. Drop in whenever you like, stay as long as you want, work on whatever you need to. No prompts. Everyone on mute. Chat open. Dates and times vary. They are sporadic, actually. You might say these are pop-ups. I like to keep people guessing. Sign up for notifications below.
[ get in touch
email: thisisblaise[@]gmail[.]com
instagrams: @blaiseallysen | @howilearnedseries | @blaisewritersworkshop
photo credit: Adam Paul Verity
This is the end of my website. You did a great job.


